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3 Ellul 5761 - August 22, 2001 | Mordecai Plaut, director Published Weekly
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Opinion & Comment
Observations: National-Religious Circles Recommend "the Educational Aspects of Television" and a "Movie Theater Midrash"

by M. Halevy

National-religious circles have often employed the slogan "religion and living" to justify their distorted and compromising approach to Judaism. Maran the Chazon Ish zt'l referred to this slogan in his letters over forty years ago, using strong words of criticism. Yet they continue in their folly and even try to refine it.

Recently we received promotional material for an organization that calls itself "Beit Hamedrash HaMercazi Lechibur HaTorah Vehachaim," partially funded by HaMercaz Lechinuch Dati BeYisrael. The brochure included a shocking article penned by Rabbi Mordechai Vardi, the rav of Kibbutz Rosh Tzurim (a religious kibbutz in Gush Etzion), who also holds the title of rav of the Ma'aleh School for Cinema in Jerusalem.

He writes about "the educational aspects of television viewing," which is a contradiction in terms for every Torah- observant Jew -- for how can any benefit be derived from a device mainly used to broadcast ugliness and filth? But those who tout "religion and living" have resolved this contradiction as well.

In his introduction Rabbi Vardi offers some words for the wary: "The summer break is characterized by growth. It is a wellspring of free time during which children and adolescents spend many hours at home. The television set is a highly efficient time-guzzler and a funnel for the most destructive cultural refuse." Then why is there any need to seek "educational aspects" in such a device? Rabbi Vardi's response: "Those who do not own a television have made a good decision and are free from the dilemmas we are trying to deal with here. This discussion is intended primarily for households that do have television sets." For such households he has found a peculiar solution. Instead of deriding television he offers instruction on how to use it and even how to derive educational benefits from it!

Rabbi Vardi makes the following recommendations to parents of children educated in government schools who destroy themselves and their children spiritually by bringing television sets into their homes. "When young people encounter popular culture, they need accompaniment that will help them locate their world of values within the mindset and viewpoints of the outside world, which is inundated by secular, Western culture. The formal religious educational system has yet to assume this role, and therefore parents must chaperone their children. In fact the need for chaperoning applies not just in terms of television, but in the religious child's exposure to culture in general." He adds that "a parent who watches together with his or her child should be aware that by sitting in front of the TV screen a dialogue on the viewing material is already taking place, for silence is a form of communication as well." Therefore, says Rabbi Vardi, parents must initiate "active viewing," for precise and directed responses by parents regarding the material broadcast on the television screen can open up a very important internal channel of communication between parents and their children . . . While viewing movies questions can be raised about identifying with the hero of the story, the motive that drives the plot, identifying the conflict, the director's fundamental assumptions, what message lies in the way the conflict is resolved, etc."

In short, it's not enough just to watch rivers of mental sewage flowing by; parents should analyze the images on the screen and use them to extract educational benefits and to bond with their children!

This advice on theoretical examination of film viewing is accompanied by practical examples spread out across the other pages of the brochure. Under the headline "Movie Theater Midrash" (!) suggestions for "moralistic and value-based analysis" of various films are offered. For instance: "Are the main heroes of the movie positive characters? Negative characters? Why? Are there any completely positive characters in this movie? Who and why? What is the deeper meaning contained in the conclusion? What does the movie have to say about genius? Is this the only way?"

The framers of the Movie Theater Midrash are chock full of creative ideas. They are so alienated that in their discussions they have the gall to compare fictional movies to Torah subjects. "How does a science-fiction movie portray strangers and the `other' among us? How is our attitude toward them similar in terms of good and evil? What mitzvot and Torah values relate to our attitude toward such characters?" And a further example: "What is the central conflict between the two heroes in the movie? How does it apply to the life of a religious person? Why did the filmmaker choose to place the heroine in a convent setting at first? What is his message regarding religion? Is this necessarily so? Does the movie offer any evidence?"

In the case of an adventure movie that describes a journey by a goy, he is unashamed to make the following recommendation, "Compare this to other journeys such as Bnei Yisrael wandering in the desert or Rebbi Nachman of Breslov's journey to Eretz Yisrael."

Rabbi Vardi suggests applying this type of "educational analysis" and "watching for values" to a long list of film titles, and even makes references in citation form to ideas presented previously.

Need any more be said?


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