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25 Nissan 5765 - May 4, 2005 | Mordecai Plaut, director Published Weekly
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Home and Family

The Airport
by Sara Gutfreund

Tomorrow we will go to the airport. By then the sky will be dark, like the dark blue of the vase in the kitchen. When I was little, I used to lift my hand up to the sky and would always be caught by surprise. Looking up at my outstretched palm, it was bigger than the sky. More real than the sky. I could see the lines of my hand running into each other, etching lines of birth, of before birth. Who was I before I entered this world?

The airport will be different now, and this scares me. I remember that small circle of arrival, the smoke-filled room that teems with the sense of coming home, returning, closing the gaps that form silently across the miles. Now what will it be? So large, so unfamiliar. Who will know where to turn, where to search for the face that looked out at the kitchen window, that peered into the slanting afternoon light while washing a blue and white dish and sang a wordless tune that carried her away. Who will know where to search?

It is years ago. I stand at the airport waiting for my mother to arrive. My three-year-old stands next to me with her head full of blond-white curls. Her river blue eyes light up with a glimmer of being in a noisy place, waiting for arrivals. She jumps up and down beside me, looking into the fountain that spills water into water, in lilting sprays that disappear into the air. A woman stands next to us. She looks down at my daughter and then up at me. She is wearing a brown, woolen cap and a khaki sweater. Her eyes are green and rimmed with red puffiness. She has been crying. She smiles down at Adina with a flicker of recognition. Then it fades. She turns to me and tells me that her mother has just passed away.

Her brothers don't know yet. They are arriving on this plane, hoping to get there in time to say good-bye. But does anybody ever get to say good-bye in the end? Are there ever enough words, enough prayers, enough tears to take away the absence that slices between this world and the next.

My eyes fill up with tears for her. For her brothers who are picking up their luggage from the metal conveyer belt that circles for hours. And then she sees them carrying their black suitcases, walking slowly, deliberately, as if bracing themselves for arriving here. She runs to them. Tells them that Mother is gone. Gone. Came here on vacation. Now she is gone. She wasn't supposed to die. The brothers begin to cry, right there in the middle of the crowd of passengers. They hold each other and cry. They are too late. But what does that mean?

"Where's Grandma?" my daughter is asking as she pulls on my arm, trying to see through the sea of suitcases, people and smoke. Where is Grandma? And there she is. I see my mother. She is walking towards us. Adina begins to run towards her and she catches my daughter in her arms, laughing. Laughing beside the crying brothers who will soon go to bury their mother.

I run up to join them. And that is when I notice that my mother is getting old. Not old, old. But different. For years she stayed the same. Same face, same eyes, same clothes in different colors. Now something is different. Subtly so. A line here, a line here. Nothing I can point to and say, now everything has changed. But it has.

*

Tomorrow I will stand in a new place, a new circle. I will look for my mother's face, her eyes that looked out the kitchen window so many years ago, singing a wordless song. And I will search for my grandfather. He, too, is getting old. When did that happen? What does it mean? And then I will search for my grandmother even though that is absurd. I know I will do it, anyway. Where is Grandma? How can Grandpa be without Grandma? But it is.

I search for her. Her green eyes and tough stride, her smile that breaks so easily into laughter. Adina drew flowers for Grandma Golda. "Because, Ima, she is really still here even though she is in shomayim. Right?"

Right. Today I picked up a sweater that I took from Grandma's house when she passed away. It smells like her, like the warm scent of her black and white house with the willow tree outside. I let myself inhale that scent, pretend that the year didn't happen, didn't pass. And though I warn myself, I know:

Tomorrow at the airport I will be shocked. I will be surprised. How could Grandma leave without saying good-bye? Where is she? But she did say good-bye. Don't you remember?

That wasn't really good-bye.

Why is Grandpa all alone? Why is this airport so empty, so vast. Why can't I look my mother in the eyes? How can I face Mommy with the loss of Grandma so fiercely intense around her. The arriving hurts almost as much as the departing. For what really, can you say?

 

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