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IN-DEPTH FEATURES
The first night of founding a Jewish home is packed with
alarming expenses. "I can live with that," some say. "After
all, you only get married once in a lifetime."
But most of us, for whom money does not grow on trees, hope
to spend as little as possible on that one memorable
evening.
As much as we would like to be modest and lower the demands
set by social convention, we will still have to part with
thousands of dollars for the long-anticipated five or six
hours of rejoicing.
We set out to survey the average cost of the hall, catering,
the orchestra, the photographer and the flowers in the wild
realm of the events market. We looked for ways to cut corners
and reduce expenses and most of all, how much it should cost
us in total. The research was carried out in the fall of 5765-
2004.
We did not include the cost of preparing the kallah
for the big night, with all that entails (makeup, if any, and
clothing), clothing and hairstyling for the family members
and all the other "little" expenses that the immediate family
members encounter along the way.
"Every parent who is about to marry off a child focuses
primarily on the major costs of building the physical home,"
says one mother in the process of marrying off her fourth
daughter. "They forget that they need to dedicate a
substantial gemach loan for the evening's expenses. We
were always happy HaKodosh Boruch Hu brought us to
this moment and we wanted everyone to rejoice with us, but
the somewhat sacrilegious question is unavoidable: Isn't
there a way to save more on expenses? Why must one spend so
much money on one evening that lasts a few hours?"
Whoever has suggestions on how to lower the expenses that
just keep mushrooming, raise your voice and shout them out.
Everyone wants to hear. (Some valuable suggestions were
published in the "Home and Family" section recently.)
The Big Blow: The Hall
The biggest chunk of the evening's expenses is swallowed up
by the wedding hall. The costs of the wedding skyrocket to
the point where it seems the red carpet spread out to the
bride's chair could be made out of greenbacks. Add in the
cost of food and you can cover the walls with bills, too.
Still, we must note, as difficult as the expenses are for
those in Israel, the costs for comparable simchas in
chutz la'aretz are three to five times as much.
The question of how much the hall and food cost comes to,
resembles the question of how much the apartment costs. No
set figure, even rounded to the thousands, can be given. Hall
prices vary and the price of the meal itself rises and falls
according to the food used.
In addition to the per-plate cost of the hall and the cost of
the hall itself if that is not bundled in to the per-plate
cost, are the supplementary expenses. For example many halls
ask for a separate sum to cover security. The waiters will
expect a tip of NIS 40-70 each, depending on the hall.
Customarily the parents of the bride and groom give the money
in a closed envelope at the end of the affair to the head
waiter or the person in charge of the kitchen or catering.
Hall owners typically stress that they do not get involved in
the matter of gratuity, which is left up to the customer's
discretion and spirit of generosity.
But beware. Several sets of parents who held weddings in
various halls in Bnei Brak and even in Jerusalem turned our
attention to the issue of the envelopes. Rav A., who recently
held a wedding for his son, says he gave the head waiter a
closed envelope containing NIS 300 in cash, assuming the
money would be divided up among the waiters, yet as it turns
out the head waiter just tucked the envelope into his own
pocket and his co-workers never saw a single shekel.
When making arrangements with the wedding hall or catering
company about the menu it is important to get down to detail
and to ask what is included in the price per person.
Sometimes they offer a light smorgasbord before the
chuppah, the arch of flowers above the kallah's
chair, flowers on the tables, a special bouquet on the
kallah's table, a large challah for the
chosson, a large cake for the kallah, etc. If
included in the base price, these bonuses can save hundreds
of shekels.
Many parents take certain things for granted or assure
themselves "the hall always throws it in." To avoid last-
minute surprises that come up when it's too late to
improvise, make sure everything is settled in advance. It is
also important to stress to those in charge of the food to
ensure it is fresh and well-cooked. Customers say that when
they insisted on these points and even mentioned them
repeatedly, the quality of the food was higher.
And what's a wedding without a snack bar at the end, during
the dancing? Let it be plain and simple, but light
refreshments for friends and neighbors who just pop in to say
mazel tov cannot be overlooked. Catering company Of Simchas
(which says it uses only BaDaTz food but does not have any
supervision) told us not to order the same refreshments for
men and women. For the men, add cholent to the
kugel and cakes. For the women quiches and casseroles
and decorative fruit dishes are more common.
On the matter of the leftover food in the serving dishes and
uneaten portions in the kitchen, one should ask the hall or
catering company owners to wrap them up. Ezer Mitzion
branches in Jerusalem and Bnei Brak will be happy to receive
them. Other chessed organizations, primarily in Bnei
Brak, also pick up unused food from event halls. And what
could be a more apt way to top off the simchah than a
mitzvah?
Flowers: A Petal is Worth Its Weight in
Gold
"Real or not?" Every budding kallah understands the
question right away. Flowers, particularly real flowers,
constitute a blooming addition to your wedding budget. Nobody
can deny their importance, and the bridal bouquet is an
integral part of the wedding accessories package.
"Ninety-nine percent of the orders I receive for bridal
bouquets are for real bouquets," says floral designer Mrs.
Ettie Mualem of Jerusalem's Sanhedria neighborhood. "I
prepare silk flower arrangements primarily for
gemachim, where the bouquets last in order to get
passed on from one kallah to the next."
On the other hand, floral designer Mrs. Dorit Motza of the
Gush Dan area, makes an estimate of 70 percent. "But without
a doubt, the majority of orders are for real bouquets," she
concurs.
According to the prevailing custom — whose origins
nobody can trace — the bridal bouquet is provided by
the mother-in- law. It is also accepted practice that the
kallah is the one to select the type of flowers and
the arrangement, "because if money is already being spent on
flowers the mothers-in-law want the brides to be happy,"
explain the floral designers. After all, every
shvigger wants to get off to a good start with her
daughter-in-law.
According to floral arrangers, brides know exactly what they
want after seeing a friend with just the right bouquet or
choosing from a folder the florist shows them. Some want
original designs they conceive themselves with a certain
symmetry to them, but the majority are satisfied with the
popular round form. The colors are also varied based on all
the splendor of nature that the Borei Olom placed in
the botanical world. "Some brides and halls look like a
walking garden," says Ettie Mualem. "Brides want not only
white and green to dominate their hand bouquet and wreath,
but other colors as well, such as pink, purple, burgundy,
etc.
"As a general rule, I suggest taht short brides carry a round
bouquet and for tall brides I recommend an elongated
bouquet," says Mrs. Mualem, sharing a tip. "And some like a
natural bunch of flowers tied together with elegant
simplicity."
The most common flowers for bridal bouquets are calla lilies
and tulips, which are considered regal and fine, as befits
the occasion. But HaKodosh Boruch Hu made His world in
such a way that calla lilies and tulips grow only in the
winter. Some kallahs say in jest they would like to
get married in Adar during the peak of the flower season. But
if you are scheduled to get married in the summer or fall you
will probably be offered bouquets with roses and white
lilies, which many people (it's all a matter of taste)
contend do not fall short of calla lilies and tulips. Be
aware that adding in a few orchids will double the price of
the average bouquet.
"If the day of the wedding were decided according to flower-
picking times, I would recommend Wednesday and Thursday,"
notes Mrs. Mualem. "On those days a large selection of the
freshest flowers in the peak of bloom arrive at the market.
These flowers will last longer, of course, if they are to be
used at a later time. But if you were fated in Heaven to wed
on a Tuesday, do not fret," she says reassuringly, "for your
floral designer is sure to use sufficiently fresh flowers
that nobody will be able to tell that they were picked almost
a week earlier."
Hall of Flowers
Floral designers have plenty of work on their hands, and not
just arranging bridal bouquets. The majority of the work
focuses on the wedding hall on the day of the wedding. The
cost of the flowers used to decorate the hall is usually
split evenly between the parents of the bride and groom.
"There are halls that employ their own flower arrangers,"
says Mrs. Motza, "and require the host of the event use their
designer's services. But in most cases, at the chareidi halls
one can bring in flowers from the outside."
The task of flower arranging is complex and time-consuming.
Mrs. Mualem describes arriving at the hall in the morning
with all of her equipment, the flowers, the sponge bases,
etc., and sets at her craft, continuing until late in the
afternoon. Then the designer wets the sponges with ample
water and the hall is ready to be photographed. Nowadays,
symmetry is coming into vogue. The arch is straight like a
carved gateway. The standard arch consists of five bouquets
which the kallah takes for her Sheva Brochos
and uses to decorate the tables.
Many halls place a vase with a flower on every table. Those
who want to see a flower arrangement on every table will of
course have to pay more. As an addition to the flower budget,
some parents are not content with the elaborate wedding cake
adorning the central table and order a bouquet for that table
that spills down to the floor.
The Orchestra: Take another Loan and Start
Dancing
The orchestra, which is a big factor in the festive spirit at
the wedding, constitutes the second largest expense. While
parents and educators are pleased to see that the types of
wedding music are returning to "the good ol' days," says R'
Chaim Bennet, the fees paid are not as modest as they once
were.
"Today `Ki Atoh Hu Melech' and `Tehei Hasho'oh
Hazos' get played at weddings rather than short-lived
hits," he reports. This is going to cost you hundreds of
dollars per hour. Band leaders, who refused to grant
interviews, warn against impresarios who serve as middlemen
between orchestra and chosson. "In the past, young men
would ask bands for $30-$50 for providing them with an
evening's work. Over time prices climbed up to $150. But
chassonim and families are unaware they are paying a
finder's fee. The cost falls on the customer.
"The macher gets the chosson excited about his
services, saying, `You'll get free amplification at the
chuppah, free internal recording,' but in reality
nothing is for free. If we are asked to give a discount we
try to give it. But as soon as a third party looking to make
$100-$150 comes between us and the customer, what's left to
discount? It's best to contact the orchestra directly and ask
them for the best price they can offer."
The Photographer: A Picture (Wedding) is Worth
a Thousand Words (Dollars)
The conductor of the wedding is not found on the bandstand.
That's an optical illusion. He is found wandering among the
guests and is supposed to immortalize the wedding night for
the generations to come, providing photographic evidence that
the event took place.
Ever since the days of the grainy, black-and-white portraits
produced with elaborate ceremony in the photographer's
shop/lab, we have leaped forward to the studio and hundreds
of pictures to capture the typical wedding.
"Until a few years ago families would ask for five hours of
shooting at a wedding," says veteran photographer Mr. Yaakov
Golan. "Today almost all photographers suggest a `package
deal' of no less than six hours." Not only has the shooting
time increased, but the background for the pre-wedding
pictures has also changed.
"We used to go out to film the family members at the
kallah's home before going to the hall," he recalls,
"but today this is almost unheard of. This [change] is based
on demands made by the photographers because we had to
schlepp around expensive studio equipment including a lot of
accessories, climbing narrow staircases in Mattersdorf all
the way up to the sixth floor without an elevator. Then we
would have to try to get control over an enormous number of
family members, bli ayin hora, crowded into a small
living room. Moisheleh got all tangled among the cables and
Areleh inspected the equipment. It was impossible to take
quality pictures under these circumstances, which was a real
pity."
The most professional attention the family receives is during
the "studio" portraits usually done before the wedding, where
the highest quality pictures are taken. The photographer
brings a simple backdrop and a few props, and the family pose
with them and with the chosson and kallah for
pictures. These are known as "studio" pictures because they
are posed against formal backgrounds.
"In the studio the photographer has various techniques and
abilities at his disposal to produce pictures better than at
the time of the wedding," says Golan. "And it's impossible to
succeed with them at home, just like in the wide-open hall.
But there are kallahs who insist on being photographed
at home without all of the relatives, or for example with a
hand on the mezuzoh saying a prayer before leaving and
setting out to build a new home.
"The preliminary photos are taken in the hall, alone over the
course of an hour or two," says Shimon Brachya, a Bnei Brak
photographer in the business for 20 years. "Every minute is
crucial on the big day — certainly for the parents, but
for me as well. On more than one occasion I have been asked
to arrive at a certain time but they are not ready yet. If
the family arranged to come to the hall at a set time and the
kallah arrives late, the time is added to her bill.
Studio pictures should be taken in calm and serenity, without
pressure. In the end they come out the nicest pictures of the
whole wedding."
"The time set aside for the preliminary photos is very
important," says Golan. "for we also take advantage of it to
get to know the close relatives. We get to know that
Avreimeleh is the kallah's oldest nephew and that the
children running around in front of her are the
chosson's brothers and sisters. This allows us to
focus on them during the seudah and the dancing. There
is no greater gaffe for a photographer than to leave out the
beloved grandfather or the brother — and to discover
the omission only when the albums are presented during the
Sheva Brochos."
Set aside time for the preliminary photos. Generally,
photography takes an hour or more. The first 20 minutes are
devoted to the kallah alone, followed by 20 minutes
for her family members and then 20 minutes for the
chosson's family members. The set time increases when
the family already has several married children or a large
number of nieces and nephews and wants to capture all of them
on film. During the course of the six hours, some 400
pictures are taken, an average of 60-70 per hour.
The burning question is why isn't the photographer a woman?
Golan agrees that soon the day will come when female
photographers will handle the studio shots. "It all depends
on public demand of course. I already see groundbreakers
asking to be photographed by a woman rather than a man. If
the public continues to demand it, like female photographers
during the dancing, the photographers will arrive only for
the photos during the chuppah and not before for the
studios."
"If the parents request a female photographer during the
dancing at the wedding, I prefer to bring a photographer I
know," says Brachya, "and the baal simchah pays her
directly." There were cases in which customers brought their
own female photographer. Her pictures are placed in my
albums, of course, and I was not pleased with the quality of
the photography. My reputation gets ruined and as a
professional I have to preserve the reputation I acquired
through hard work and sweat.
"I work with a lab that is more expensive than regular labs,"
says Brachya. "Oftentimes less expensive film processing labs
contact me and ask me to come develop wedding pictures,
offering outstanding terms. But I'm not willing to compromise
on quality for a couple of shekels."
On average, photographers take 400 shots, including the
studio photographs, the chuppah, spontaneous shots
throughout the wedding and the family portraits at the end.
Many photographers do not offer packages of less than 350
photos. Of course requests for additional photos are always
welcome.
"I always shoot more pictures at the wedding than the number
requested and I allow the families to choose," says Brachya.
"On more than one occasion customers get upset when they
discover that I shot more than the number agreed upon, and
start to complain. I explain to them that it was better that
I shot more than the set number, even if it means that
wedding pictures sit in my storeroom. The important thing is
that the customers can choose and don't complain that I took
too few pictures. A wedding cannot be played over again.
"After the customers receive the pictures they can choose
which ones they want — but not less than the number
originally settled on, of course. They also receive a disk
containing all of the photos, including the pictures not
selected."
Some photographers, like Brachya, are willing to provide the
customers with all of the pictures taken, including those
that did not get developed. It's worth inquiring in
advance.
Halls that want to save you money suggest you calculate the
exact number of guests who will sit down for the meal and
order fewer sit-down servings and more food at the bar. Large
families may want to consider personal invitations to the
chuppah and seudah and a separate invitation to
the dancing for everyone else.
We called numerous Jerusalem and Bnei Brak halls that are
fully booked, but all of them insisted on an interview and
quoting prices only off the record. Prices vary according to
the time of year (Adar and Av cost the most, Cheshvan the
least). Some halls provide only the hall itself, where others
provide the catering as well or offer it as an option.
The only company to cooperate with us was Of Simchas, which
hosts weddings at Maxim Palace (Armonot) in Jerusalem
at a price of $12.50 per guest. (Of Simchas is a chareidi
person who buys food from a BaDaTz Eida Chareidis supplier,
but has not supervision himself.)
The rest are as follows:
* Price for hall only: Ranging from $2,500 for a relatively
small wedding hall to $5,000 for a large hall;
* Price at an attractive hall including average catering: $16-
$20 per plate for 400 guests, where the price of the hall is
bundled into the per-plate price;
* Catering: Of Simchas — $6.80 per plate, minimum 450
guests. Other catering companies — $7-$12 per plate or
more;
* Price for 400 snack bar servings: Of Simchas — $2.00-
$2.20 per person. Others: $2.50-$5.00.
* Security: NIS 200 per guard. Generally at least two are
needed.
* Tips: NIS 200-400, depending on the number of guests served
and the caliber of the hall.
* R' Chaim Bennet's band: Starting at $1,300 without a
special singer.
Based on information provided anonymously by four other bands
we found the following:
* Average 4-man band, including singer: $1,200-$1,600;
* 5- or 6-man band with a singer: $1,700-$2,200;
* Singer/keyboardist: $600 for a beginner, $1,000-$1,100 for
an experienced professional with special equipment;
* Drummer and two singers (minhag Yerushalayim):
starting at $700 (Kletzkin);
* Every additional hour after the standard four hours of
playing time: $100-$200.
"There have been reductions in orders for full ensembles,"
says R' Avreimi Roth, singer and band leader, who offers his
services as a keyboardist or as part of a full band ensemble,
based on request. "People order a three- or four-piece band
and want it to sound like a seven-piece band.
"In other cases people opt for a keyboardist/singer rather
than a band. It should be noted that a one-man band with
sophisticated, high-quality equipment can sound just as nice
and festive as a full ensemble.
"Those who try to save money but insist on having three
people appear on the stage hire a novice band at $800-$1,000,
but it invariably sounds like an $800-band. It knows how to
make noise. We cannot compete with this but it is appropriate
only for someone who couldn't care less about the quality of
the music and is happy as long as there is some band
playing."
But reductions in spending seem to have passed over the
people whom veteran Jerusalem drummer R' Dovid Kletzkin
knows. He is disappointed taht more modesty has not taken
hold in the orchestra market. "Based on my experience in the
field," he says, "I can tell you that those who simply charge
more gain a reputation and are considered superior. I offer
an option of a drummer with one singer at $100 less, but
people don't get this. Avreichim in debt pay for a
band with a reputation because of social convention, but this
is not justified. They think that in order to find favor with
the young couple and the guests it's worth going another $3-
400 into debt."
The recession was a disaster for photography says
photographer Yaakov Golan, "and therefore various groups of
Chassidim came out with restrictions. What the recession and
the restrictions didn't do, young photographers entering the
business did, bringing prices down 30-40 percent, which
translates into $300 less on photography costs. Some people
are pleased with the young photographers, others aren't." It
may be worth looking into.
In contrast to the prices mentioned in the main article, some
beginning photographers charge only $600 and even less for
350 pictures. "I think the pictures I turn out are nice
enough," says one low-priced photographer who has not yet
established himself and asked to remain anonymous. "Because
of the recession, many parents made due with good pictures
and did not care if the photographer hasn't yet purchased all
of the expensive equipment. It would be a pity for them to
spend another couple hundred dollars they don't have to
obtain pictures that may look sharper, by a photographer of
greater repute."
Most parents send the negatives to regular film processing
shops for reprints rather than ordering them through the
photographer. But Brachya recommends ordering just a dozen
reprints to evaluate the quality of the processing before
placing a large order.
* Photographers charge $60-$100 per hour with a minimum of
350 pictures
* At smaller events they charge $2 per picture for up to 250
pictures. If you take more at the end, the price goes down to
$1 per picture for more than 350 pictures.
* Brachya's standard fee for a six-hour event is $750 and $70
for every additional hour. This price includes a disc with a
musical presentation and an elegant wooden album as a gift
* Golan suggests noting the full range of market prices. The
price for a wedding photography package comes to $600-$1,000
including lighting assistant, female photographer for the
women's section during the dancing and studio photos. The
couple receives a decorative album and a disc containing all
of the wedding pictures.
* The cost of bringing in a female photographer varies from
NIS 300-400. Some photographers ask for an additional fee for
the female photographer while others prefer the customer
makes an arrangement with her independently
Although the bridal bouquet is a must, the rest of the
flowers leave room for cutting costs. Some halls provide an
"arch" or "gate" made of artificial flowers. It is always
worth asking the hall owner if he has something to offer.
Floral designer Dorit Motza says gemachim lend
artificial flowers at low prices. "There are women who bought
a gate, permanent of course, and rent it out from one wedding
to the next," she adds.
"People think twice and decide to do without," says designer
Ettie Mualem. "Table arrangements, for example, which are not
essential. And if they do order them, they order something
simple, like a vase with one or two flowers at about five
shekels each. The vases are usually set on the women's side
alone."
"Because of the recession," says Mrs. Motza, "instead of an
elaborate gate twining over the chair with a column of
flowers leading to the bride's chair, many parents are
satisfied with a gate and two stands of flowers to the right
and left."
* Bridal bouquet: small with short-stemmed flowers —
NIS 120 ($27.50), large NIS 150 ($34.50)
* Bouquet set in sponge base: NIS 180 ($40) — Mualem
* Gate and two columns of silk flowers: NIS 500 ($115)
— Motza
* Gate and two columns of real flowers: NIS 1,600 ($370)
* Arch of artificial flowers: NIS 300 ($70) —
gemachim
* Rounded arches cost NIS 550-700 ($125-$160), straight
arches cost NIS 900 ($200), every column costs NIS 250 ($230)
— Mualem
* Special table flower arrangement: NIS 50-150 ($12-$36) per
bouquet — Motza
* Standard table arrangement: NIS 25 ($6) — Mualem
* Flower wristband: NIS 10 ($4.50) — Mualem
* Bouquet spilling from the bride's table to the floor: NIS
120 ($30) — Mualem
* Artificial bridal bouquets are available at gemachim
for NIS 50-70 ($12-$16) and sometimes even for free. If you
are interested in artificial flowers conduct a phone survey
in your area.
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