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17 Cheshvan 5764 - November 12, 2003 | Mordecai Plaut, director Published Weekly
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Home and Family


Drama in Children's Education
by A. Ross, M.Ed.

They all enjoy play acting. From the time a baby plays peek- a-boo, he is play acting. They play Mothers and Fathers, doctor or school, or, unfortunately, attacks (the modern version of cops-and-robbers): shootings, explosions, Hatzola. During and after World War II, they played concentration camps and how they had been herded into the umschlagsplatz, a word I learned when I was a small child from my friends who were survivors of the horror. As they mature, some enjoy acting more than others, and sometimes, the most unlikely candidate excels in a remarkably professional show which teenagers put on for parents.

Is it all just play, or does this drama and fantasy give the children something concrete? Recently, several children of different ages came to tell me about their experiences in day camp and sleepaway camp in the long summer holidays. What was the best part? Each one in turn, without hearing it from the others, volunteered, "We put on a show." I feigned ignorance and asked them what this meant. A six-year-old described graphically how they had been told a story, "...and then I was the grandmother and..."

Children learn by imitation, by copying their elders and peers. Mothers are often astounded and frequently shocked at what they hear their children say, and how they get the right inflection into their voices, in exact imitation of their own way of speaking.

Drama is a wonderful way to impart social skills without lecturing. Some children are terribly possessive and do not want to share. Others don't know how to make friends or to yield to others. There are the terribly shy children who learn to speak up when the drama is enacted in their own home. An intended stay in hospital or a planned visit to the dentist could be acted out by the older children for the younger ones. On a rainy Sunday afternoon, or even on an ordinary evening, when the difficulty of getting everyone to bed peacefully looms before you, why not give an early supper with the promise of a `show' when everyone is in pajamas? It is as good as any bedtime story, although perhaps not quite as soothing.

Drama in nursery school, in the pre-school years is an important part of a child's education. Teacher can demonstrate that although it is fun to scream while play- acting, in real life it is usually better to talk, to say you are angry and why you are angry. Even very young children can understand how inflection can turn a compliment into a put- down.

Many parents are of the opinion that making puppets and writing a script for a puppet show is a waste of time in school. A competent teacher can do wonders with the unity of the class, including social skills, if s/he chooses this form of education one term. Children who are weak in some areas might put forward some excellent suggestions during the course of this project and will show an enthusiasm which they have never before exhibited.

Some mothers and teachers who read this will either think that this doesn't work or that they do not have time for this sort of thing. Nowadays, when so much is expected of teachers, is it really worth investing time, even if only one afternoon a week, in frivolities like these? There may also be those who never did enjoy acting and do not see why they should inflict it on others.

For one who is convinced of its effectiveness and of the real power in this pleasant teaching tool, I can state categorically that it is well worth investing time in drama, with the one proviso that you do not let the children get out of hand.

 

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