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15 Av 5762 - July 24, 2002 | Mordecai Plaut, director Published Weekly
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Home and Family
Waxing Poetic
An Interview with Moshe Chaim Levy
by Reuven Freedman

I'm sitting in front of the wooden lattice gate that partitions off the rectangular work area of Moshe Chaim Levy, one of Safed Candles' artists. His chair is on wheels and he `wheels' himself from the cans of melted wax to his work area and back again. He's obviously enjoying himself.

"I love this chair!" he says, as he pushes and glides, a large chunk of golden yellow wax in his hand.

I can't help but smile. Tell me, were you artistic as a child?

"I drew a lot. My notebooks were filled with drawings but not too many notes!" He chuckles wryly. "Although sometimes the notes described what was going on in class. I'd draw cartoons of this teacher versus that teacher with word bubbles..."

What's your background?

"I'm a baal tshuva. I attended a vocational school for commercial art, went to a community college for art and music and finished off with another course in computers where I developed my own computer artistic designing methods. I spent two years in yeshiva in Eretz Yisroel before going to work."

Safed Candles specializes in Havdala candles. How did you get into wax sculpting for them?

"Safed Candles hired me to do a watercolor painting ad. While I was waiting for my appointment to speak to the manager about it, I wandered around the factory and I saw this chassidic employee playing with some white wax and forming a sheep out of it. I remember thinking, `What an interesting medium to work in!' (The employee had permission from the manager to do some experimenting.) After I had my appointment with the manager to discuss the details of the watercolor painting, I asked him if I could try a candle sculpture. He was very enthusiastic! He waved his hand out in a semi- bow saying, `Bevakasha!' and then brought me a chair and wax.

"I spent four-and-a-half hours playing with the different colors to attempt to get black and I created a man making Kiddush. (I work a lot faster now!) The following morning, the gallery opened up at 9 a.m. At 9:15 my `man-making- kiddush' was sold for $45 and the manager offered me a job."

What were you working as before you got this job?

"I was experiencing a very creative point in my life, probably contributed to by the atmosphere here in Safed. I was doing some weaving, papier mache and painting."

What kind of painting?

"I did a lot of sunsets over Meron as well as signs here in Safed, and cartoons."

I nod as I scribble down everything that Moshe Chaim is saying. You've done so many types of artwork. What is your favorite form?

"I'm a cartoonist by nature. I like to see a piece of artwork go from conception to expression in a very short time. I can make a wax sculpture in an hour. I like that feeling of instant gratification. It can take months, you know, to complete just one piece of sculpting marble or doing oil paintings! Also, wax is colorful and three dimensional and very pliable."

The golden wax he had at first is taking on the basic features of a man. Do you find that your artwork turns out the way you visualized when you began?

"Nine out of ten times the facial expressions, for both people and animals, are better than what I had in mind. It comes out more like it should come out."

How have your previous art experiences affected your art now?

"In every way! Every experience a person has affects his perspective."

It seems to me that artistic people are very sensitive.

"I think that sensitive people are more open to being artistic."

Have you ever been especially insulted or especially complimented?

"Sometimes there are people who think something I've made is depicting something completely different than what I think it obviously looks like but it's all just my insecurities and ego. There are always going to be those who like, or dislike, what I've done. Getting insulted is a total waste of time. I'm not saying I've never been insulted. I'm just saying that I let it go as quickly as I can. I read once that insults and compliments shouldn't affect a person at all. However, practicing it is a difficult thing!"

I chew on the plastic end of my pen as I think about that. The sound of cars pass the candle factory. The click-clicking of the women braiding candles on the other side of the room intertwines with the smell of beeswax combining to be, what I find to be, a soothing atmosphere.

Finally, I ask, Where does your inspiration come from?

"From the Torah."

Have you seen your sculptures displayed in people's houses?

"A few times. Although I'd say that at least twenty times someone heard that I'm from Safed and they mention, often without knowing who I am, a piece of mine that they bought or received as a gift. As they're describing it, I remember the exact piece! I remember working on it!"

Are there particular sculptures that you especially enjoy working on?

"Believe it or not -- furniture! A carpenter can take days to complete a table or a cabinet but with the wax I just chop, chop, chop, then stick on, stick on, stick on and dip -- and it's done! Another theme that's one of my favorites is dancing. Just being able to dance joyously and for Hashem. It's a different kind of dancing."

EDITOR'S NOTE: The permissibility of making and displaying three-dimensional human figures is a matter of halachic dispute. Reader's should consult a competent halachic authority for guidance in this matter before purchasing such works. Other candles are of course ok.

SAFED CANDLES specializes in: Havdola candles, Chanuka candles plus all the other beautiful decorative candles like tapers, pillars and artistic candles. They send orders anywhere around the globe, even with a personalized message, as was requested for one recent order for an eighteen-wick Havdala candle, sent as an original wedding gift.

SAFAD CANDLES welcomes visitors and customers. To contact, place orders or arrange for tours, use any of the following numbers: tel. 972- 4-6921-093; fax 972-4-6923-105; www.safedcandles.com; scandels@safedcandles.com

 

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